Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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David Cox
Embarkation of His Majesty George IV from Greenwich (mk47)

ID: 26119

David Cox Embarkation of His Majesty George IV from Greenwich (mk47)
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David Cox Embarkation of His Majesty George IV from Greenwich (mk47)


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David Cox

David Cox [English Painter, 1783-1859] English painter. After taking drawing lessons from Joseph Barber (1757/8-1811) in Birmingham, Cox worked briefly as an apprentice to a painter of lockets and snuff-boxes named Fieldler. This was followed about 1800 by a longer period painting scenery for the New Theatre, Birmingham. On the promise of similar employment at Astley's Amphitheatre in Lambeth, Cox travelled to London in 1804, but when this came to nothing he decided to make his name as a watercolour painter. He began exhibiting at the Royal Academy in 1805 and from 1809 until its demise in 1812 with the Associated Artists in Water-Colours, of which he became both member and president in 1810. He was elected an Associate of the Society of Painters in Water-Colours in 1812 and within a month had advanced to full membership.   Related Paintings of David Cox :. | The Night Train | crossing the sands | Keep the Left Road (mk47) | Old Westminster (mk47) | Embarkation of His Majesty George IV from Greenwich (mk47) |
Related Artists:
Raffaello Botticini
1477-1520
Jackals Kalila and Dimna
the period of 1465-1535
Camille Pissarro
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;






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